The PAPEL project by Serbian artist and designer Milica Stanišić explores how discarded paper can become a durable and expressive material. Positioned between art, design, and material research, the project reframes paper waste as a valuable resource rather than an endpoint.

Using a self-developed paper clay technique, Stanišić transforms recycled cardboard and paper into a malleable compound. She combines paper fibres with water and natural binders, then shapes the material entirely by hand. As a result, the final objects retain visible traces of their origin. This creates a raw and tactile aesthetic that appeals to contemporary designers.

A Circular Approach to Paper

Paper usually has a short lifecycle. It is used briefly and then discarded. However, PAPEL challenges this linear model. Instead, it extends the lifespan of paper by turning it into solid, long-lasting objects.

The process plays a key role. First, the paper is pulped. Then, it is shaped and left to dry under controlled conditions. Finally, the material becomes lightweight yet stable. It can function as a freestanding object, a wall piece, or part of a spatial installation. Moreover, the layered surfaces highlight both the fibre structure and the transformation process.

Material Qualities and Design Potential

PAPEL demonstrates the potential of recycled cellulose-based materials. In particular, it offers an alternative to conventional decorative finishes and objects. The material combines low weight with structural stability and strong tactile qualities.

As a result, it can be applied in interior accents, sculptural elements, or bespoke installations. At the same time, the aesthetic draws on wabi-sabi principles. Imperfections and irregularities are not hidden but embraced. This approach aligns with the growing demand for authentic, low-impact materials in contemporary interiors.

Between Art, Design, and Architecture

PAPEL moves easily between different contexts. On the one hand, it appears in gallery exhibitions as a sculptural practice. On the other hand, it integrates into architectural environments as a spatial element.

Within interiors, the objects act as subtle accents. They introduce texture and material depth, especially in minimalist spaces.

The work is organised into thematic collections, including Nature, Space, Life, and Couture. Each collection explores a different relationship between form, material, and environment. Consequently, PAPEL functions both as an artistic practice and as a material exploration.

Material Awareness Through Design

Ultimately, PAPEL highlights the value of waste streams. By transforming discarded paper into enduring objects, the project shifts perceptions of what materials can be.

In doing so, it demonstrates how craftsmanship and material innovation can support circular design. At the same time, it shows that sustainability and aesthetics can go hand in hand.

Source & photos: Milica Stanišić