In the Germinal public gardens of Evere, Brussels, a new pavilion called Folly (Vase) now welcomes visitors. Belgian artist Elise Eeraerts and Spanish architect Roberto Aparicio Ronda designed the project, built from 3D printed ceramic vases. As a result, the structure acts both as a sculpture and as part of the garden.

3D Printed Ceramics

The team used advanced 3D printing methods to produce each vase. This technique allows for precise shapes, but also for unique surface designs. In addition, the vases act as planters, rooting the pavilion in its green surroundings. In this way, the project shows how ceramics can serve as a sustainable and modular building material, combining craft with new technology.

A Community-Driven Design

Local residents also shaped the design. During informal talks, they shared personal stories. The designers then turned these ideas into patterns and textures on the vases. Therefore, each ceramic piece carries a fragment of the neighbourhood’s shared identity. As a result, ornament becomes a form of storytelling, turning the pavilion into both structure and archive.

Playful and Nature-Focused Architecture

Folly (Vase) is the first in a series of five follies for the 101e% programme by the Brussels Housing Authority (BGHM). Traditionally, garden follies were playful structures without function. However, this project changes that tradition. It creates a pavilion that is participatory, nature-focused, and experimental. The open form invites people to walk through, pause, or watch how sunlight and plants interact with the ceramic surfaces.

Towards Circular Design

The project also highlights how digital tools can support site-specific and sustainable design. By combining 3D printing with community engagement, it points to new ways of building that are both circular and inclusive. In addition, four more follies will follow, each adding a new character to the park. Thus, the series will link material innovation with public space and storytelling.

Source: Designboom
Photos: Elise Eeraerts / Roberto Aparicio Ronda