Belgian designer Isaac Monté, in collaboration with Dior and Belgian gallery Spazio Nobile, has transformed the iconic Lady Dior handbag into a series of crystallised, sculptural objects. The project, titled Crystallized, explores the relationship between natural mineral growth and material experimentation, turning an emblem of luxury fashion into an artefact of geological expression.

Exploring Material Growth and Transformation
Inspired by natural formations such as stalagmites, Monté employs a process in which minerals and oxides are layered onto objects, allowing crystals to form over time. Rather than relying on moulds or machinery, each object develops organically through controlled chemical reactions. This method results in unique surfaces, with no two pieces alike in colour, texture or structure.

The crystallisation process is a continuation of Monté’s broader body of work, which began with vases and has since expanded into boutique displays and fashion accessories. The concept frames time itself as a sculptural medium, where the passage of hours and days becomes visible in the object’s material evolution.

Reinterpreting the Lady Dior
When commissioned by Dior to reinterpret the Lady Dior handbag for its flagship store in Vienna, Monté approached the task as a material investigation. Over the course of ten years, he has refined his crystallisation technique to create complex surfaces that reflect and refract light like gemstones. The original form of the handbag remains recognisable, yet it is redefined by its crystalline outer layer.

Although the object no longer serves as a functional accessory, it becomes a collectible design piece that bridges fashion, art, and materials research. Dior’s signature canework remains partially visible beneath the layers of crystals, maintaining a link to the brand’s heritage while presenting a new visual and tactile experience.

Applications in Spatial Design
In addition to the handbags, Monté’s crystallised works feature in Dior’s window displays and boutique interiors, particularly those showcasing the Jewellery Gem Collection. These installations play with themes of transparency, luminosity, and form, offering a dynamic visual experience. For interior designers and retail architects, the project illustrates how natural processes can be incorporated into spatial storytelling.

The crystallisation process also holds potential for packaging and product designers interested in tactile finishes and one-of-a-kind textures. By allowing materials to grow rather than be manufactured, the work demonstrates a more patient, sustainable approach to material creation.

From Bio-Art to Material Innovation
Monté’s background in product design and bio-art informs the conceptual depth of the project. His earlier works, including experiments with bacterial growth, highlight an ongoing interest in natural systems and transformation. In Crystallized, this focus is applied to high-end fashion, blending scientific precision with artistic expression.

The result is a thought-provoking exploration of material evolution, preservation, and redefinition. For designers working across disciplines, Monté’s work suggests new directions in circular design, material storytelling, and innovation rooted in nature.

Source: Designboom
Photos: Kristen Pelou / Sticky Stuff Agency