In the heart of the Swiss Alps, an old hotel has been transformed into a private residence that redefines circular design. Interior designer Marianne Tiegen led the renovation of the 1,000-square-metre Chalet 1936, blending reclaimed materials, craftsmanship, and timeless style. The project offers valuable insights for architects, interior designers, and product designers interested in creating spaces that prioritise sustainability without compromising on luxury.
The design of Chalet 1936 focuses on reuse. Instead of buying new, Tiegen sourced materials and furnishings from antique markets, second-hand dealers, and architectural salvage sites. Local artisans helped adapt these elements to fit the home.
For example, a zinc gutter from an old farm building now hangs as a light fixture over a 4.5-metre reclaimed oak dining table. Antique fireplaces have been restored and reinstalled, giving the interiors a sense of history. The timber cladding throughout the home comes from dismantled alpine barns, bringing a raw, authentic texture to the walls.
Tiegen’s choice of materials is carefully considered. She uses limestone-based mineral paint on the walls, which is breathable, non-toxic, and designed to age gracefully. The furniture is a mix of Belgian linen sofas, reclaimed wood tables, and vintage pieces that showcase natural wear and patina.
The bedrooms feature antique textiles like organic cashmere bedding and vintage linen throws. In the bathrooms, restored basins, antique mirrors, and stone surfaces add character. These materials tell stories of their past lives while supporting a more sustainable, circular approach to interior design.
Chalet 1936 demonstrates how circular principles can shape a high-end residential project. For architects and interior designers, it shows that reclaimed materials can create both beautiful and practical spaces. Product designers can also take inspiration from the creative reuse of objects, such as turning an old zinc gutter into a pendant light.
By working with local craftspeople and avoiding mass-produced items, the project promotes a design ethos that values context, longevity, and environmental responsibility. Tiegen’s work highlights the beauty of imperfection and the value of giving materials a new life.
Source: Marianne Tiegen via v2com
Photos: J. Wilson